Feeling sleepy? You can take a nap in one of our nap pods in Fisher or SciTech Libraries
2. Have a go at 3D printing
our technology-driven, creative play-space & have a go at 3D printing,
Virtual Reality, CNC carving and more…
3. Book a desk
Whether you need to concentrate in a quiet space, or study
in a group, there is place for you across our 12 Library locations. You can
even book a
desk during peak study time.
4. Cuddle a puppy
Exam time can be tough. To help
you the Library hosts a program of activities
& workshops to support you to relax, keep healthy, study effectively
and ace your exams.
5. Study as late as you like
to work on that assignment? The Library has your back with some Library spaces
open 24/7 equipped with kitchenettes & vending machines.
6. Explore the Rare Books Collections
Library has thousands of resources in our Rare Books and
Special Collections. Explore manuscripts dating back to the 1603 A.D., historical sci-fi comics and
7. Chat with our friendly staff
Our Peer Learning Advisors (PLAs) are postgraduate students and experts at navigating University of Sydney life & their here to help. Drop in for a chat at ThinkSpace, Bosch Commons, the Quarter, Dentistry Library, or Camden Commons.
Have a burning question? We’re here to help. You can also chat live with a Librarian Monday–Friday, 10am-4pm
For the first time in centuries, in a copy of Dante Alighieri’s Commedia (Venice, 1497) owned by the University of Sydney Library’s Rare Books and Special Collections, Academic Liaison Librarian Kim Wilson discovered an inscription and sketch by Renaissance Artist Georgione dating back to over 500 years ago in the back pages of the book.
The inscription confirms Georgione’s birth year and exact date of death which has previously been unknown, and the sketch is thought to represent a first thought for Georgione’s paintings Benson Holy Family and Virgin and Child.
An Italian Renaissance painter, Georgione’s life was shrouded in mystery for centuries, with the exact date of his birth and death remaining unknown until now.
In the back pages of the 1497 copy of Dante’s Divine Comedy, is the red chalk drawing of Madonna and Child, a technique developed by Leonardo da Vinci fifty years earlier. The drawing is one of only two ever to be attributed to Georgione.
An article in The Burlington Magazine March 2019, No. 1392 – Vol 161, written by Kim Wilson and Professor Jaynie Anderson (Melbourne University), Professor Nerida Newbigin (University of Sydney) and Julie Sommerfeldt (manager of Rare Books and Special Collections) argues that Georgione is the artist behind the drawing and potentially the owner of the rare copy of Dante’s famous text.
Little is known of the 36-year-old’s life, though historians have speculated the painter was illiterate.
“It was a serendipitous finding that will allow art historians to rewrite Georgione’s place in history, as one of Bellini’s apprentices” said Ms Wilson.
After discovering the drawing,
Ms Wilson sought the expertise of Emeritus Professor Nerida Newbigin from the
University’s Department of Italian Studies, to translate the inscription
written in Venetian at the top of the page on which the drawing appears. [PIC]
Professor Newbigin confirmed
the inscription read:
“On the day of 17 September, Georgione of Castelfranco, a very excellent artist died of the plague in Venice at the age of 36 and he rests in peace.”
Professor Jaynie Anderson from the University of Melbourne, said, “Not only does this give the precise date of Georgione’s death, but also indicates a birth date, providing bookends to his life. This is particularly significant given he was said to have had an ‘impossible biography’ for centuries.”
While the exact date the
University of Sydney Library obtained the book is unknown, records indicate the
book was a donation to the library sometime between 1914 and 1959.
The drawing may represent a first thought for The Holy Family, which resides in the National Gallery of Art in Washington or Adoration of Kings, which is in The National Gallery in London.
A copy of the book can be viewed online through the Library’s Digital Collection platform here.
Library online search gets a facelift: read about the new integrated Library search tool for research, teaching and learning.
The new Library Services Platform is a cloud-based tool used to manage information resources including a search portal, called Library Search for discovering library collections. This interface has replaced CrossSearch, the Catalogue, and MyLoans from January 2019.
The new provider for the Library Services Platform is Ex Libris – a major technology provider for research libraries globally. Their customers include Cambridge and Harvard.
The interface was updated in January 2019 and the new Library Services Platform automatically replaced the current platform.
Searching: A new single platform
A separate, traditional library catalogue has been replaced with an integrated single portal, called Library Search. Early feedback from academic staff has indicated that the new Library Services Platform has made it “much easier to find and access specific journal articles”.
Some information from MyLoans, including current loans, will carry over to the new system, however some information will not:
Following the successful 2018 residency with artist Wendy
Murray, the 2019 Printer in Residence program held by the Library is once again
taking place this year.
The Library is now calling for applications from suitably
qualified letterpress printmakers and book artists for a residency of 8 weeks,
to take place during Semester 2, 2019.
Hand-craft printers and printmakers are invited to propose a project for a print publication or creative work to be made in the Fisher Library workshop housing our Albion Press. Applications close Sunday 3rd March, 2019.